The Pagan Ego

This is going to be a topic that will poke some buttons. Strap in.

An issue came up among my students recently. So I'm going to share my thoughts on the ego as it expresses itself in the evolving Pagan.

Most mystery schools believe (they have also found success in the application of this principle) that the ego is the largest barrier to moving energy and using one's innate paranormal powers. If you want to be a medium, you must allow your ego to be pushed aside. If you want to astral project, you must let a separation from ego happen. If you want to be a shaman, you must put yourself aside and act in the best interest of your tribe. If you want Kundalini to awaken, the ego must die.

All over the world, spiritual paths promote the management or even the outright destruction of the ego. As an evolutionary step, this makes perfect sense to me. The ego is the remnant of our instinctual programming. It is the inner voice that wants our own material needs to be met. It is why we say "I am hungry," or "I am horny." The ego is the expression of the self, seeking the pleasure and power to keep the animal continuing with as much success as possible. But it requires that we exist in our "desire body" to accomplish the directives of our egos.

People deal with ego in two ways, based on the kind of person they are. The first are those whose egos scare them. I'm one of these types myself. Perhaps we are afraid of what we might be capable if we really let our egos run the show. Perhaps we worry that we might become foolish or turn into a big spectacle. Perhaps we also worry that what we are doing is just pretend and, in the grand scheme, amounts to nothing. This kind of person gets eaten alive by the worry that he misread the signs and his religious efforts are wasted as empty gestures.

The second group deals with their egos by embracing them. They feel that their inner voice is the most important authority to which they must bend. This hat-tip to the ego is usually represented as "being authentic." Yet in these moments, there is a lack of balance as the ego gets anything it wants all the time. I've met so many "strong witches" who use the authenticity excuse to be a raging bitch. No one loves a bitchy witch.

The ego is a character with a lot of strength. It tries to assert itself at every moment. When you think you have put it in its place, it surges forward and so it needs constant discipline. I've found that the ego loves to be strong particularly in spiritual settings. It wants to feel amazing things. It wants to be the center of attention. It is capable of transforming self-worth into "vainglory." It wants us to be powerful, to be known, to be famous.

Fame is very attractive. It doesn't have to be fame from the whole country or even your town. Just the fame of a small group of friends (your coven) is enough to stroke the ego. I often see people striving hard to be famous among pagans or Wiccans. Every witch wants to be the next big pagan writer. Adonis Merlin describes these as "Sassy Swish-capes." I think it's a wonderful way to describe how melodramatically grandiose some witches can be. This makes for great theater, but horrible magic and it is annoying to be around.

Being a pagan, I have exposed myself to people and places that manifest what I can only label as supernatural. I have seen things that I would call unbelievable, but I have also seen a lot of faking.

Faking comes from the egotistic inclination to make one's life appear supernatural so one can feel special. Every ego wants to feel special, so we sometimes overact, over-react, or act blatantly fake. When people are fake, they are stroking their own egos. Witchy fakeness looks like this:

"I can see auras, you must be upset right now because I'm seeing spots of X color." (Truth: I wasn't upset at all until you tried to tell me some baloney about what I'm feeling.)

"This house is haunted. I know because I can feel spirits." (Truth: there has never been a report of a haunting in this house, ever. It was built in the 80's so it only suffers from bad interior design and an obsolete building code, not from anything supernatural.)

"I can feel the circle so strongly that I can't bring myself to walk through it." (Truth: you are a very effective performer and you should consider a career as a mime trapped inside a bubble.)

"Aries, the god of war, appeared to me through a bear I saw in the woods." (Truth: you are telling a tall tale to make yourself appear as if you are favored by the divine. You saw a bear because there are bears endemic to our woods.)

That's not to say that  people don't actually have these abilities. Rather, I'm stating that too many who don't have them claim that they do.

I should note that I have a very healthy skeptic living inside me (he's a scientist). I leverage this skeptic against my ego, which wants me to do and say nearly anything to get what I want. Unfortunately, the skeptic and the ego are forever in conflict. I'm getting better at recognizing the voice of each, but particularly my ego. There are times when its strength serves me, so I give it it's due, and other times when it just complicates matters, so I tell it to shut up. Keeping the balance is a daily game of checking in with the self and making constant adjustments.

I also leverage my love for my spirituality against my ego. I never want to lessen or debase my spirituality by polluting it with falsity, so I get offended when I find others being intentionally false in an attempt to heighten their own fame. The act of being truly authentic in any moment feels amazing. I get upset when I get grouped in with people who don't operate from a position of being authentic. I get annoyed because I don't want my own expression to be diminished or devalued by being characterized as false. But that's my own issue and I shouldn't take on the ownership of anyone else's opinion of me. I can't worry if they think I'm a fake or not. I should just do my own authentic thing, but not give my ego total control. The problem is that it's easier said than done.

As a way of exerting its power in a way that we are least likely to notice, the ego will root itself in a facet of our personalities. One can notice this by looking at one's archetype. I believe it is this ego-link that generates our overall personality archetype.

For example, my ego ties itself to logic and evidence. So my primary archetype is the scientist. All of my efforts to interact with the world are filtered through logic and evidence because my ego has decided that only those are valid. The only way I could ever feel a boost to my self worth was if I acted the scientist completely and was complimented for my knowledge, research or logic. Those compliments were like drugs to an addict for me and I just didn't feel as powerful if someone complemented me physically. This caused me quite the struggle when I entered witchcraft, because there is a quite a bit about witchcraft that flies in the face of logic and evidence.

Similarly, one could have his ego tied to body image and youthfulness (archetype: the sex symbol). The only way this person will feel a boost to the self worth would be to be physically complemented. There are also artists who tie their egos to their creativity, so they will feel completely worthless if their art is not well-received. There are also healers and nurturers who tie their egos to their care-giving, so they will feel worthless if they can't alleviate suffering.

The best way to notice how your ego is linked to a part of your inner self and boosts your self worth is to ask yourself these questions.
"What kinds of complements do I like to hear more than any other?"
"If I could be renown in my town, for what reason would it be?"

I'm not claiming that finding the answers will resolve your ego and make you the master. I do believe that this work - our witch's work - will stay with us until we die; it is the struggle of this particular incarnation. However, knowing your ego's main mechanism gives you tremendous control over it.

Ultimately, those things to which we cling, because they make us feel more valid or more valuable, are simply illusions. Validity comes from the inner self and needs no ego to validate it. Resolving the overwhelming power of the ego, so that it can be activated or deactivated when and how you wish, will unlock the deeper powers of your inner self - your witchcraft. This is what the mystery schools call "self mastery" and it can only be achieved by the difficult process of knowing thyself.

Witch’s Work using the Powers of the Witch

In my particular coven, we have what is called “witch’s work.” This is the stuff within ourselves on which we must work to become better people and more powerful witches - to really evolve our spirits so we can move to the next chapter in the improvement of our spirit.

I don’t know if all covens teach about witch’s work, though I suspect not. I was taught that all covens teach it (or maybe should). But most of the Wiccan covens I’ve encountered are not concerned with any ultimate end goal for their existence here. Some of them show a morality that is merely borrowed from Christianity, or no morality at all. At best, they simply go about their lives like pagan robots, accepting only the techniques and teachings of a favorite author, not fully understanding that there is a larger goal and a story that transcends just the here-and-now.

How does one know what one’s work is? I was taught that a clue comes from one’s astrological natal chart. My experience is that this merely scratches the surface of what the work might be. It is simply the shadow cast on the wall by a very complex and deep problem requiring handling. The best way to know what is one’s witch’s work is to look at one’s fears.

Fearing the Past

Fear is a funny thing (funny-weird, not funny-haha). It has built into it the desire to turn away from it, yet it is the very thing at which we must look to understand how to propel our spirits forward. Any time there is something about your life that you fear, you are receiving a clue that the issue needs some attention. So fear is a scab – a kind of bandage – that prevents us from seeing or even knowing that we have a wound.

This doesn’t mean that because you fear death, you should experiment with killing people or yourself. I don’t mean that everything you fear is a life lesson. Fear’s job is to be a warning that something you face in the environment may hurt you, so fear has a place and should be respected as a useful tool. Instead, I mean that those parts of your inner self about which you are inflexible, intolerant, and resistant, may be the very parts of yourself at which you should look for a deeper understanding about your inner nature, or what needs some attention. The most useful manifestation of fear at which we should pay attention for clues into necessary change is embarrassment. It is the condition you feel when your self-worth has been completely destroyed. When you are embarrassed about something, it’s because you fear the judging and belittling thoughts you believe others think about you. Most of the time, your belief is based on speculation, rather than true knowing. Your inner power becomes completely destroyed when you are embarrassed because you believe the speculations.

If you are someone who fears commitment, you should dive into those parts of yourself. If you fear success or learning, you should dive into understanding why. If you fear being alone or crave control over others, you should pay extra attention to the part of yourself from where those desires come and why they exist in you.

I once had a teacher that seemed to have a problem defining his identity. He was someone hungry for power, which I suspect was what brought him to Wicca. In Wicca, one can simply do the rituals for a few years to get one’s elevation to be a High Priest. This happens because spiritual lessons are tough to prove that they have been successfully learned. No one wants to call out someone as the person who can’t do witchcraft, because proving the claim is nearly impossible. As long as a witch can lead a circle well, he tends to be elevated, even if he can’t do any of the “powers of the witch.” (I digress; more on these later.) My point is that my “teacher” had no idea that he was a megalomaniac and had even less inclination that he should work on that part of himself to be a better person.

The witch’s work exists within each of us because of our life experiences. We are the product of the experiences of our pasts. We get hurt and so we begin to fear commitment; we get approval for our learning and so we begin to crave knowledge. Everything that happens to us helps to shape who we are. But often those experiences teach us behaviors that are not healthy or helpful. They can be obsessive, avoiding, or oppressive over others. Basically, our experiences help to create baggage.

Self-Knowledge

The Greek Philosophers said, “Know thyself.” This axiom has been the foundation of countless spiritual movements throughout the Western Mystery Schools. The entirety of the New Age and New Thought movements are based on this axiom, buried somewhere in their deep foundations. Yet it is the first axiom forgotten when it comes time to do the witch’s work.

When a witch knows his inner self, he knows all of his dark faces. He has put names to the parts of himself that makes him afraid. He knows that he is inclined to crave power, or solitude, or love, and he knows why each of those cravings exist. He has faced those damaging experiences that helped to create those conditions in his personality. More so, he has freed himself from the power that those past experiences have over his current self. The past no longer influences his decisions of the present, so his decisions are based on what is actual, rather than on the inaccurate perceptions of the world he thinks he remembers.

By contrast, most who are not doing the work simply have no idea that the past created these conditions in their personality. They are not guilty of failing to handle the baggage that is the source of their fear. Instead they simply assume that they are free of baggage, so they believe there is no work they need to do.

Here’s a hint: being in this material world is all about becoming a better you, with new lessons every day. School won’t end until you’re dead, with the experience of your own death being the final lesson. So if you think you’ve learned all the lessons of this life and can just spend the rest of it coasting along as a powerful witch, you are just plain wrong. Stop fooling yourself and get back to class.

The Witch’s Classroom

Wiccan Tradition has perpetuated a list of witch powers. These are powers that can play two roles in the evolution of a witch. The first happens when one or more powers are pre-existing in a mild form. They can be clues to a person that one is a witch at all. This is not an exclusively witchcraft kind of thing; the truth is that anyone has the ability to develop all of these powers. However, everyone has a few powers that are more difficult to develop and a few that are easier to develop. Yet many witches can mark at least one of these powers as the one that blossomed in them to such a degree that they became called to study witchcraft.

The second role that the powers of the witch play is to function like a crucible, burning away the parts of our personality that limit us. The efforts through which we go in our studies of the powers of the witch help to refine our spirits. This happens because there is something built into these powers that exercise all of the intuitive parts of the human spirit. As we work with the intuitive, we are brought face to face with the parts of ourselves with which we are not comfortable. As we exercise each of our inner qualities, they get stronger, which makes each of our inner qualities better. Yet the powers of the witch will effect no change if one simply assumes that one’s work is done and so stops trying. As with any system, “the system works, if you work it.”

The best public source for the witch's powers comes from Charles Godfrey Leland’s 1890 work, Aradia, or the Gospel of the Witches. Here is the list of powers as Leland presented it. I will elaborate on each one.

1. To bless or curse with power, friends or enemies

This power deals with the ability to cast spells. As this is not a treatise on the nature of spell work, I will not provide details, but suffice it to state that spell work is the ability to cause positive or negative events to occur in others’ lives through the effort of sheer will.

2. To converse with spirits

This power deals with the ability to be clairaudient. The witch is capable of sensing, which is more so a mental sense, the thoughts of non-corporeal beings. These could be spirits that were formerly alive or environmental spirits that never had a body.

3. To find hidden treasures in ancient ruins

This is the power of dowsing. It can be done using dowsing rods, pendulums or other divinatory methods that point to locations. The “treasures” mentioned here are not necessarily of monetary value.

4. To conjure the spirits of priests who died leaving treasures

The “conjure” used here denotes this power as being very different from #2. This is the power to cause a spirit of a previously living being to create a physical manifestation, usually in smoke, or to perceive the spirit (clairvoyance), to pass along knowledge. In common parlance, this power is called “necromancy.”

5. To understand the voice of the wind

This is the power to interpret the impending weather. It is not “weather magic” as many believe. Weather magic is actually a product of #1, for as you bring positive events into your own life, you bring the weather that is best for you. Instead, this power is simply a knowledge of what the weather will be before it happens, through the observation of patterns. Basically, it is a kind of meteorologic forecast, but using experience instead of scientific sensors.

6. To change water into wine

Many incorrectly call this power “transmutation” and it would seem that it is an application of alchemy. In fact, it is the ability to cause “intoxication” from water, usually by the addition of the correct entheogenic plants, or through the process of fermentation. This power is an extension of shamanism and herbalism.

7. To divine with cards

One of the forms of divination, this is the power of understanding the unseen using a common, mundane tool. Cards are only one of many possible tools.

8. To know the secrets of the hand

Better known as “palmistry,” this is the power to understand a person’s inner nature by reading the lines on the palm. By understanding one’s nature, a witch can also predict likely futures. This latter ability is what turns a rather academic study of palm lines and bumps into an intuitive and very magickal art.

9. To cure diseases

This power is an application of herbalism, but also of energetic healing such as reiki and shamanism. It deals with any power that takes away disease, including the disease of the emotions and the mind.

10. To make those who are ugly, beautiful

This power is also called “glamoury” and is part of love magic. It is the power to manipulate the perceptions of onlookers in any way that succeeds. It can be achieved by changing the physical using make-up and clothing, modifying perceptions of character, or spells that modify the situation to produce favorable conditions for love. It is not a power that causes love where there was no chance of it happening. It creates the most fertile possible garden for love.

11. To tame wild beasts

This is the power to learn and understand the communication and behavior patterns of animals so that they work for the witch, rather than in opposition to him or simply ignorant of him. Examples of this can be seen in the efforts of popular trainers such as the dog, horse or cat whisperers. But this power goes more deeply because it incorporates the witch’s understanding of the spiritual role those animals play in the larger web of which we are all a part.

EDIT (21 April 2017): Many people think this list is incomplete. They claim that the witch has 13 powers, not 11. This comes from the popular poem listing 13 powers, which was an expansion of Leland's list and published in 2003 by Silver Ravenwolf in her book Solitary Witch. It is a wonderful poem and adds powers like astrology and weather magic. Certainly, these are powers that witches use. Any intuitive power that a witch exercises will help them to evolve the spirit. That poem is the first time that the witch's powers were represented as a kind of witch-dowry that can be passed on in ritual, somewhat the way reiki attunements are transferred.

Goal Oriented

Some people also wonder why the list doesn't cite the powers that they hear about in movies or the pop culture of witches, like psychokinesis or astral projection. The list seems incomplete because many people don't realize that this is not so much a list of powers, as it is a list of goals. Witches don’t do anything unless there is an end goal in mind, whether that be healing, causing love to bloom, finding information, or whatever. Most of the “powers” that people think should be on this list are just other methods to accomplish one of the listed goals. Getting good at astral projection seems like a nice idea, but what good is it if you aren’t using it for a reason. Projection for the sake of projecting is a useless endeavor, other than the experience it provides to you.

The ultimate goal of this existence is to learn power to be helpful. As witches move through the effort to learn each of these powers, we become better and more helpful people. It is the goal of the witch - of anyone in a village - to serve his people. Throughout the history of mankind, the powerful in a tribe became healers and helpers, because they knew that everyone had a role to play to help humanity survive this wild material plane.

Many witches will tell you that anyone who tries to use his powers to harm his people will find his powers robbed from him. The paradox of power is that it is actually just a loan of experiences from the universe. If you abuse it, you will lose it.

The Witch's Pyramid: a House of Tarot Cards

Why do we use magic? Is it so that we can cast spells to get what we want? Well, yes, but if that’s all you think it does, you're missing the point. Using magic is not about filling your life with all the material crap you might desire. Magic is the divine power that permeates the universe, so if you simply suck on it like a calf from a teat, you will be back to repeat this life over and over again, never ascending beyond the earthly plane. The best reason to use magic is to evolve into higher beings – to ascend. The path to ascension lies in learning how to use magic.

Does this mean that the material plane is bad and we should seek to escape from it? It does not. Too many people already seek to escape the lessons of growth found on the material plane by seeking some amazing afterlife. The paradox behind the lesson of magic is that only by embracing that we exist in this material world for now, can we move to the next step. There is yet another step to take and it is only by facing the lessons that are immediately before us can we transition to the next stage in our journey. Think of it this way. When you are taking a road-trip, you might stop at a diner to get something to eat. When you are done, you move on, not because you hated the diner and because the next stop is so much better than the diner, but because your purpose for being at the diner has been fulfilled. It is just one stop on the journey. It is a stop at which you got some food, got some rest, but possibly also met some interesting people – perhaps your server or another traveler – that helped you to enjoy your dining experience or to appreciate something else about the world or even to learn that you really hate eating borscht. Like the diner, the material plane is not better or worse than the step to which we are going, it is simply the step at which we are now. Since this is where we are now, let’s do what we are here to do, which is experience it without being deviated from the idea that we are still on a journey.

Let’s follow the metaphor further. While at the diner, you might be served an amazing meal and a truly divine pecan pie! Could the pie be so good that you never want to leave the diner ever again? I have not yet had a pie that good, but you might still enjoy it better than any pie you’ve ever had before. And yet, when the pie is eaten, you get back in the car and continue on. You do not stay in the diner until closing, gorging yourself on slice after slice of pie. Similarly, becoming mired in the pleasures of the material plane does not serve your journey. Pleasure is one of the lessons to experience here, but so are fear and discontent. All of these things are here for us to experience because that’s what our job is while we are here. They are not blessed or sinful, they simply are. But by becoming so damaged by hardship that you seek to escape this world, or allowing yourself to become driven to load all of your experiences with only pleasure, are the surest ways to miss learning the lessons of the material plane. They are the surest ways of returning here again and again until it finally clicks what your real work in this world should be.

Those who study Wicca or other related magical systems are well aware of the Witch’s Pyramid. It guides the inner study of the witch such that magical work can become possible. But from where did this lesson emerge and what does it really mean to the witch? So many Wiccans with whom I’ve crossed paths tend to confuse the lessons of the pyramid or only grasp it in a limited way. They certainly do not really concern themselves with applying its teachings to improve.

Despite the old origins of its story, the rise to prominence of the Witches Pyramid started with the Hermetic Kabbalah occultist, Eliphas Levi (Alphonse Louis Constant) in the mid nineteenth century. His writings comprised the most influential and the majority of the source material from which the Golden Dawn created their system, as well as those of the occultist and tarotist, Oswald Wirth. The Golden Dawn, in turn, greatly influenced Gerald Gardner and the New Forest coven. This is why so much of Levi’s writings are still present in contemporary Wicca today. If we go back to the source material, we find some interesting lessons about how magic functions as a mechanism to evolve mankind.

To assist my thesis, I’m going to refer to certain cards of a particular tarot deck, because the signposts of the magical work towards mankind’s evolution were conveniently placed there. One caveat: In the last 200 years, attempts have been made to link tarot cards to the glyphs of Egypt and the system of Kabbalah.  I am making no such attempt. This entry is not claiming to link all tarot cards with any ancient esoteric or occult doctrine. To be sure, A. E. Waite redesigned the trumps of the tarot to fit his speculation that they were a repository of esoteric knowledge. Maybe he was right and maybe he was wrong. I’m not claiming either. I’m simply using the deck designed by Waite because it borrowed some of Levi’s symbols and composed them into a system of iconography that helps to explain how mankind can evolve using the philosophy of the Witch’s Pyramid.

Just what is magic, exactly? Levi reveals this about magic in the Dogma et Rituel de la Haute Magie (translated by A. E. Waite, 1896):

Magic is the traditional science of the secrets of Nature which has been transmitted to us from the Magi. By means of this science the adept is invested with a species of relative omnipotence and can operate superhumanly, that is, after a manner which transcends the normal possibility of men.

Magi is simply an archaic word meaning “masters.” They are simply people who have figured it all out. Aren’t those the same guys who followed that star on Christmas morning? Yep, they were the wisest magicians from three different cultures. The gifts they gave were symbols of occult knowledge, not simply material wealth. Did you ever notice how the characters of Mary and Joseph, who were poor nomads, were never represented being thrilled that gold was given to their infant son? The story does not tell of them taking the gold around the town, trying to buy a nicer room for their newborn. The fact that three very valuable things – royal gifts – were just placed into the ownership of an infant in their care doesn’t faze them at all. Perhaps this is because the Magi didn’t actually give them material goods, but instead something symbolic. But this is a digression.

In the middle ages, "the secrets of Nature" were researched by alchemists and theologians. It was believed that the keys to understanding the true face of the divine lied in studying the natural world around us. Most alchemists were priests, monks and friars. Alchemy led to “physic,” which led to chemistry and eventually to modern medicine and the scientific method of test and repeat. Today the secrets of Nature are sought only by the scientific and technological disciplines. Somewhere along the way, science and religion became estranged. They have never reconciled. What we are really discussing here is not the separation of science and religion but the estrangement of logic and faith. Levi tells us that this is not at all beneficial, though perhaps necessary.

Read what Levi writes about the power of magic:

. . . there exists in Nature a force which is immeasurably more powerful than steam, and a single man, who is able to adapt and direct it, might change thereby the face of the whole world. . . . By the direction of this agent it is possible to modify the very order of the seasons; to produce at night the phenomena of day; to correspond instantaneously between one extremity of the earth and the other; to see, like Apollonius, what is taking place on the other side of the world; to heal or injure at a distance; to give speech a universal success and reverberation.

Levi’s words are describing exactly what has happened in our modern world thanks to technology. We can create isolated environments that allow crops to grow all year, we can turn to dust whole nations of people from afar, we can light up the night and talk with people around the world, all with the flick of a switch. All of these things are amazing creations. Certainly, if we were to show them to a person at the time of the birth of Jesus, or even a monk in the Middle Ages, we would surely be thought of as adept magicians, super-humans or possibly even gods. So how do we get there? What steps must we take so that we can use this power and evolve?

The first tarot card we should inspect is The Magician. This is our first evolutionary signpost. Here we find a person with great focus on his face. This man represents mankind, learning our magical lessons. One hand holds a white, double-sided wand above his head and the other points to the ground. The particular wand he uses is not like the rough staff that lies on the table; instead, it is symbolic of divine grace, purity and power. The ground, where the man is pointing, represents the plane of the material and the plane of solid manifestation. The magician is attempting to function as a conduit, to transform divine power into material existence. He stands in a garden of flowers (material desires) attempting to tap into the power of the divine above him -- trying to call it down to earth. What tools does he use to do this? They are the four elements, which are symbolically laid out before him on the table. The message here is that working with divine power requires application of the four elements to make divine power manifest in this world. Above his head is the symbol of infinity marking him as one with the potential to join with the infinite divine. Unfortunately, the Magician is functioning separately from the elements. He views the divine power as outside of himself rather than as within and part of him, which is why they lay on the square table before him (look for this shape later). Traditionally, the card represents a magus, but the subtleties of the symbols show that science and technology are yet unable to reconcile with faith. The elements of Nature are things to be manipulated by him, rather than powers with which he unifies to elevate himself. This is where most of us begin -- with the use of tools -- so we should not be surprised that this card is number 1.

How do we incorporate the elements into ourselves to achieve evolution? That answer lies in the Witch’s Pyramid.

The elements of the Witch’s Pyramid – elements that nearly every witch can recite – are traditionally “to know, to will, to dare, to keep silent.” This is the order that it is most often regurgitated, presumably because it flows off the tongue or out of the memory more easily that way. But let’s look at what Levi says about each step:

To attain the SANCTUM REGNUM, in other words, the knowledge and power of the Magi, there are four indispensable conditions – an intelligence illuminated by study, an intrepidity which nothing can check, a will which cannot be broken, and a prudence which nothing can corrupt and nothing intoxicate. TO KNOW, TO DARE, TO WILL, TO KEEP SILENCE – such are the four words of the Magus, inscribed upon the four symbolical forms of the sphinx.

Notice the order of the four steps. Here is what Levi says about why they are put in that order: “In order to DARE we must KNOW; in order to WILL, we must DARE; we must WILL to possess empire and to reign we must BE SILENT.” So we see that one lesson flows from the one before it.

To recap what each one means:

TO KNOW - an intelligence illuminated by study

TO DARE - an intrepidity (courage) which nothing can check

TO WILL - a will which cannot be broken

TO KEEP SILENCE - a prudence which nothing can corrupt and nothing intoxicate

Levi connects these four lessons to the four symbolical forms of the sphinx. The “symbol of the sphinx” is the pyramid, which is why these four lessons collectively have the name “Witch’s Pyramid.” Unfortunately, the images of sphinxes in different cultures of the real world do not compose all of the imagery that make them effective esoteric symbols. Instead, we must reconstruct the esoteric sphinx using Levi’s description:

. . . his the human head, in order to possess speech; his the eagle’s wings, in order to scale the heights; his the bull’s flanks, in order to furrow the depths; his the lion’s talons, to make a way on the right and the left, before and behind.

So the traditional image of the sphinx, which is usually the winged body of a lion with the head of a man, is incomplete. The esoteric sphinx would be more correct with the winged body of a bull that has the head of a man and the claws of a lion. The body of the bull is essential to incorporate the strength of that elemental power, which we will examine shortly.

How did these particular symbols get into the sphinx as representations of each element? Each of these four elements are present because of their astrological correspondences. The man is Aquarius, a sign of air. The bull is Taurus, a sign of earth. The lion is Leo, a sign of fire. The eagle is Scorpius, a sign of water. But there are three star signs for each of the elements, so why use these particular signs of the zodiac? Because these constellations made up a group of special constellations in ancient Babylon, which is where western astronomy and the mysteries of Kabbalah began to form. They were the constellations that rose at dawn on the Solstices and Equinoxes each year, and so were known as “royal signs.” As such, they represent the great cross that connect the four cardinal points of the sky.  The Biblical prophet, Ezekiel, was exiled by the Babylonians and likely incorporated these symbols into his vision, which he wrote into his book that was later canonized. (Those who discount the Bible as a useless book of myth fail to capitalize on the rich esoteric symbology, especially Kabbalistic, which is hidden within.)

Through their astrology, the qualities of the sphinx represent the four elements with which we must work to achieve mastery. Levi describes what we are called to do if we are to gain this mastery:

You are called to be king of air, water, earth and fire; but to reign over these four living creatures of symbolism, it is necessary to conquer and enchain them. He who aspires to be a sage and to know the Great Enigma of Nature must be the heir and despoiler of the sphinx ....

The symbols of Ezekiel were woven into the tarot card The Wheel of Fortune. A more correct name for this card would be “the cycle of karma” or “the cycle of reincarnation.” Karma is not a system of payback or come-uppance as most people believe. Karma is the life path or purpose that is most true for each of us. It is our path to godhood. When we deviate from it, we experience hardship. But when we pay attention to the signs and follow our true path, life improves. Here the wheel represents our continually regenerating lives on the material plane. We repeat our life lessons, both easy and difficult, going up and down the wheel. In control of the wheel is the sphinx, which has already incorporated the four elements into herself. She is an integrated human that is not bound by the cycle of rebirth, yet remains connected to the material world. She poses to us her riddle every time we go around the wheel (the mystery of rebirth). The four elemental angels (angel means “messenger”) surround the wheel as watchers and keepers of the records of our progress.

The Greeks told a tale of the sphinx in the epic of Oedipus. In that tale, the sphinx related an important riddle that, if answered, would allow Oedipus to rise to royal status. This story is symbolic of the life journey. Oedipus represents each of us attempting to master the four elements of Nature. Mastery would allow us to become elevated to a status higher than our normal human selves (transcending the normal possibility of mankind). The essence of the riddle is to ask what kind of creature can transform – become malleable and adaptable – as the journey of life passes. The answer of this very esoteric of riddles is that only mankind holds the power of ascending. Levi states for us:

The combination of these four types of face and being represents the Created Universe, a complete and eternal entity, Man in fact, the Microcosm; and this is the first formula of the mystical explanation of the enigma of the Sphinx.

Only man has the ability to overcome his limitations to transform into more than he is now.

What does it mean to “master the elements?” Levi tells us that too.

You are called to be king of air, water, earth and fire; but to reign over these four living creatures of symbolism, it is necessary to conquer and enchain them. He who aspires to be a sage and to know the Great Enigma of Nature must be the heir and despoiler of the sphinx: his the human head, in order to possess speech; his the eagle’s wings, in order to scale the heights; his the bull’s flanks, in order to furrow the depths; his the lion’s talons, to make a way on the right and the left, before and behind.

What do we need to do to “conquer and enchain” them? In more modern words, you are tasked with defeating your fears. To find mastery and do it well, you must not fear to stretch your mind as far as it can go, be ambitious to great heights of success, have the strength to face and master your darker self, and have the fierceness to fight against any opposition. Only by conquering your fears can you become a complete master of your life. You must become the sphinx. The great secret of Hermetic philosophy is that the power to do that – the power of all four elements – is inside you right now. Four “angels” are inside you right now. The very transformative power of the divine is inside you right now. You have the ability to transform yourself right now to be great. You simply need to overcome your fear and do the work.

Let’s examine each of these directions one at a time. First is to “possess speech.” We have already seen a clarification of this when Levi told us that this condition was about “an intelligence illuminated by study.” The link between speech and intellect is not a new one. A thorough understanding of anything is the mark of a great orator. Those who fear knowledge will always speak with the ignorance of a child or an idiot. You can see the unfortunate side of this lesson represented in the tarot card of the Fool. The boy turns into the abyss, away from the mountains and the light of the sun, which represent the sharp truths of intellectual pursuits capped by the cold snow of logic and the brilliance of inspiration. He is happier to avert his eyes in ignorance than to embrace real knowledge, and in so doing, we walks blindly into destruction. Only his animal instinct (the dog at his heels), which he completely ignores, seeks to avert him from complete oblivion.


To accomplish this lesson, we must be like the figure in the card Temperance. Unlike any of the other figures representing the four elements, this figure has wings. Most tend to explain this by claiming that he is an angel and indeed he is, but not more so than any of the non-winged figures we will meet. This figure has wings because, despite that he is a water-bearer and just like the star sign Aquarius, he represents the element of air. The brilliant light of intelligence shines from his head. He focuses intently on pouring water from one vessel into another, despite the unsteady endeavor of standing with one foot on the sure earth and the other in the uncertainty of water. It is a precise operation that he could not do without an understanding of the properties of the water, the cups and the physical laws that govern the world. Also, the pouring act attempts to portion the water, which is an intellectual act of measurement. Despite being divine, this figure is very much a scientist. Behind him is the long path that leads to the crown of achievement.

Exactly what does it mean to “furrow the depths?” Remember that the gift of the bull is fearlessness. To furrow means to plow or dig out. “Depths” are the deeper places of the inner self. To plow or dig out the deeper places of the inner self means we must be willing to examine our inner selves and dig out from what we hide. We must have courage in spite of what we find in the depths, no matter how ugly or repulsive to us. We see this represented in the card of the Hermit. Here is a man with a one small lantern to light his way. Gone is the brilliant sun seen in other cards. The crown from the last card has become his guide; his lantern is lit only with the light of hope. He has dressed himself in drab robes that obscure who he is, for his station in life is now irrelevant, as it is to all who do introspective work. His only task now is to look within and so, rather than stare into the distance, his eyes are closed in quiet contemplation. His companion is a staff, symbolic of the element of fire, the element of desire. He leans on his deep desire to discover himself – to find the inner answers that cannot be found in the external landscape. To him, the outer world, being irrelevant to his work, is barren of life and the sky is devoid of guiding stars.

We must “make way on the right and the left, before and behind.” This condition asks us to overcome the fear of opposition. External obstacles must be torn away with the lion’s claws, no matter from which direction they arise to challenge our wills. Because this is a condition of the will, our will must be fierce, like the claws of the lion! In the card of Strength, we see a figure that is demure, but not afraid to face the ferocity of a lion. With very little struggle, she closes the fang-filled jaws of the lion. Fearless, she exerts complete control over the animal despite that it could kill her.

“Scaling the heights” is what we do when we do not fear to succeed. This lesson speaks of ambition and wisdom. This is not the ambition of greed; it is the ambition of achievement. The latter is a reward unto itself and provides a boon to all mankind, rather than simply to the individual. Not being afraid to try for a goal that seems out of reach is the lesson of the eagle. Again, the Fool card, by being a card without value and with a degrading name, shows us who we will be if we do not aspire to be more. Conquering a fear of success is what turns us into the figure in the Chariot card. Here we see a warrior returning from a battle in his chariot, the vehicle of war. His vehicle is lashed to sphinxes of two opposite colors before him, which he commands. They are the duality of the universe – yin and yang, male and female, light and dark, this and not-this. He has shown that he is not afraid of the labels and boxes of the world that seek to categorize us. He can be fully himself, in control of any condition to which he is challenged. Likewise in war, prudence and silence are important. Spies are all around and multiple battalions must all be placed correctly. Prudence is the wisdom to manage all of the material assets in your arsenal to bring about your success, but without the unnecessary loss of life. Such important management is impossible if you spend too much time boasting of your plans, thus allowing others to influence or disrupt your management.

What happens to us if we do not conquer our fear and use the lessons of the pyramid to evolve? There are several cards that suggest to us what might occur, but the best card to examine is the Devil. Here is an animalistic figure with the same physical posture as the magician, for it is what he has become. However, now the wand, the link to the divine power, is missing. The figure stands on a black stone cube, a square like the table in front of the Magician, symbolizing the rigid stability of the material plane. To this same block are chained two humans that are horned as though they have devolved away from humanity towards a more animal state. They are chained to the block of the material, unable to break free from this plane because they rely too heavily on all that it offers. That reliance has caused them to actually move away from being human towards a less evolved (more animal) state of being. These humans are prisoners to everything they desire from the material world. They are incapable of viewing anything beyond it. By using this particular title, "The Devil," this card also evokes subtle fears inside the mind. Those who see devils in shadows are so consumed by their fear that they never see the truth - that what they are seeing are only shadows. They will fain to inspect the true nature of what actually creates the silhouette. They allow their fear to make them believe that shadows have more power than they do. Does this card refer to the mythic demon of the Bible? Perhaps. The proper name of the Devil, Satan, translates as “the adversary.” It is a complex concept embodying everything that is antithetical to progress. If the Biblical character is not an anthropomorphic being, but is instead a state of being, one which is devoid of courage, wisdom, generosity and justice, then this card may represent that state. This card ultimately symbolizes what happens to us when we become a prisoner to the material garden of desire in which the magician stands - a prisoner to the turning wheel on which the sphinx sits.

The completion of man’s evolution is seen in the tarot trump of The World. Perhaps a better name for this card would be “the Universe,” for that’s what essentially opens up to us when we incorporate the lessons of magic and gain mastery. The garland is the divine boundary between our material world and the void out of which all things emanated at the beginning of time; the area inside it is the divine area inside the magic circle, which is at once, both and neither a particular time or a place. The symbols of cosmic vastness, which floated above the heads of the Magician and Strength, are now wrapped around this divine boundary. The figure is female, as was the sphinx, because here, the four elements of the material world have separated from that first figure to stay behind on the material plane. She represents us once we have moved to the higher plane, no longer needing interaction with the material in the way we once did. Also, she is the Sophia (wisdom), which was present with the divine at the time of creation. The wands now exist in both hands because she is no longer simply a passive wire for power; she can now freely draw in and project power at will. She has become the Magus. This card is an image of the great work, which alchemists and Hermeticists called the “Magnum Opus.” The ultimate goal of the Magnum Opus is to master the power of creation – a power that is only accessible to man and to the divine – to become masters of ourselves and our world, so that we can ascend one step closer to being one with the great divine.

Addendum (in my own opinion)
It has come to my attention that, in recent years, the Witches Pyramid has had ascribed to it a fifth principle: "To Go." I believe this is happening from a misguided attempt to correlate the pyramid with the pentagram. The pentagram is a very different symbol and does not discuss the hermetic principle symbolized by the pyramid. The pentagram is a symbol of the unity of the five elements of the universe, not the principles employed by hermetic students to understand how to evolve the spirit. Though I'm fine with people developing whatever mnemonic device they feel is helpful, I do not agree with inventing something that never was while claiming that it did. The pyramid has older names including the "Hermetic Quaternary" and the "Four Powers of the Magus." Both of these names specify four principles, not five, because the new principle that has been invented is clearly not necessary. The four principles are forward-moving principles, so to state that one must then go is redundant to the goal. It also shows a failure to understand what is being taught.

The hermetic magical principles are not symbolized by the corners of the pyramid, but by the faces. There are four triangular faces representing the principles. They are supported by a square face that is hidden. Triangles are symbolic of active properties. Squares are symbolic of manifestation. The surprise to most is that we are not trying to metaphorically travel to the peak of the pyramid. Too many people assume incorrectly that the only way to symbolize the attainment of higher states of being is with a literal movement upward. However, in this case, what is revealed comes from looking at the face of the pyramid that we cannot see. On each of the active faces rests one of the elemental angels, as we saw in the Wheel of Fortune, above. On the base is the manifested figure of the Sphinx herself, for she represents the unity of the elements. Only through unifying the powers of the elements do we gain manifestation. This is the core lesson of magical work.

To help visualize this, I will provide you with a teaching tool that I use with my own students: A paper pyramid that you fold and keep as a visual aid. I also keep one of these in my library, on which I reflect from time to time. Just cut around the outer edge and fold on the grey lines, then glue together.

From Beyond the Grave

A great deal happened in my life in 2015. Around Thanksgiving, my relationship ended causing me to move from the cute home with access to 1/3 of an acre of growing things, to an apartment with no outside to call my own. I hope to spend more of my time focusing on the meditational portion of my studies.

Secondly, my mother passed late in the year, only 3 months after she found she had two tumors on her pancreas. She had been living in an independent-living apartment, but while she was in the hospital, she stated at one point that she was never going to meet the minimum functionality to return there, so us kids should get all her things packed up and moved out. I think it was also clear to her, and to all of us, that she was not likely to live through this illness at all. So as we packed up her apartment, everyone asked each other what we should throw away, or divide amongst ourselves, or put into storage. Having not yet moved into my new apartment, I told everyone that I wasn't sure yet what I would be needing, so if they didn't want something, it should be stored so I could go through it later when I moved in. As we went through it all, I thought over and over again how little of it mom really used. She was quite a collector of stuff "for a rainy day."

Everything was stored for about a month; when mom passes, it got moved to my new home.

Last week, as I unpacked, I unpacked two lives. The first was my own, which I had integrated with my partner and now tried to pull apart. This was packed and transported one room at a time over several weeks, since I was moving just a couple of minutes away. The second was that of my mother's which was put in boxes as she was dying. In the new place, I have very limited space so I had to be very clever with where I put things. An old friend of mine once told me that the best way to prepare for a long trip away from home is to spend the month prior to the trip living out of a suitcase. If you find that you don't have something you need, you can then pack it. Unfortunately, I didn't have the chance to do that, so my first few days in my new apartment was filled with lots of "I need to remember to go back and pack that."

Interestingly though, I thought that would happen much more than it did. More often, I found myself saying, "Mom had one of those," which I would then find in one of the boxes from her apartment. This began happening so often that it felt like it was more that just coincidence; it felt like synchronicity. It was as if my mother had collected all of that stuff for my new start. I became my mother's rainy day. Though she wasn't not present in body, I could feel her with me, helping me make a new start.

As my studies progress, I know my mother will be a valuable resource to me. I don't feel that she is gone so much as I feel she is transformed.